Art, Tech and Interaction

Here is Final Presentation Link!

https://docs.google.com/presentation/d/1Rz62e0o0B1PLuYqRjG23pgyIUpS-ghJzifQ6uGyJZdk/edit#slide=id.p

 


During my time, I have worked with the concept of the human relationship and the communication. However, I realized that the subject that I really want to deal with is about not only the human relationship, but also all kinds of the relation between us. Relationship between you and I, world and I, object and I, or just relationship between object and object. It is my goal to find the communication in(/between) that relations conceptually, visually or emotionally. I think that the interactive artworks will be one of the ways to show the comunication between them.

 

  • The practice to measure the distance between 2 objects (dist/pythagoras theorem)
  • If the distance is close, draw the circles in their own places.

Pablo Valbuena

time tilings [stuk]

kinematope [gare d’austerlitz]

http://www.pablovalbuena.com

Pablo Valbuena develops art projects and research focused on space, time and perception. Born in Spain and currently based in the south of France.

Some key elements of this exploration are the overlap of the physical and the virtual, the generation of mental spaces by the observer, the dissolution of the boundaries between real and perceived, the links between space and time, the primacy of subjective experience as a tool to communicate and the use of light as prime matter.

These ideas are mostly developed site-specific, formulated as a direct response to the perceptual qualities, physical conditions and surrounding influences of a certain location or space.

This body of work has been presented in public and private institutions, biennials and galleries in the form of exhibitions, site-specific commissions and large-scale public interventions throughout Europe, Asia and America.

Apostasis, 2008 / Access, 2003

 

Apostasis,Rafael Lozano-Hemmer, Mexico City, México, 2008

Technique: Robotic 5kW xenon searchlights, infrared illuminators, computerized surveillance tracking system, water hazers, monitor

http://www.lozano-hemmer.com/apostasis.php

 

Access, Marie Sester, Ars Electronica, 2003

ACCESS is an interactive art installation that lets web users track anonymous individuals in public places, by pursuing them with a robotic spotlight and an acoustic beam system. The work is about our obsession with surveillance, control, visibility, and celebrity.

ACCESS, 2003

BOUNDARY FUNCTIONS, 1998

Boundary Functions, Scott Snibbe, 1998

 

We think of personal space as something that belongs entirely to ourselves. However, Boundary Functions shows us that personal space exists only in relation to others and changes without our control.

Boundary Functions is a set of lines projected from overhead onto the floor, dividing people in the gallery from one another. When there is one person on its floor, there is no response. When two are present, a single line cuts between them bisecting the floor and dynamically changing as they move. With more than two people, the floor divides into cellular regions, each with the quality that all space within it is closer to the person inside than any one else.

The regions surrounding each person are referred to as Voronoi diagrams. These diagrams are widely used in diverse fields and spontaneously occur at all scales of nature. In anthropology and geography they describe patterns of human settlement; in biology, the patterns of animal dominance and plant competition; in chemistry the packing of atoms into crystals; in astronomy the influence of gravity on stars; in marketing the strategic placement of chain stores; in robotics path planning; and in computer science the solution to closest-point problems. The diagrams represent as strong a connection between mathematics and nature as the constants e or pi.

By projecting the diagram, the invisible relationships between individuals and the space between them become visible and dynamic. The intangible notion of personal space and the line that always exists between you and another becomes concrete. The installation doesn’t function at all with one person, as it requires a physical relationship to someone else. In this way Boundary Functions is a reversal of the lonely self-reflection of virtual reality, or the frustration of virtual communities: here is a virtual space that can only exist with more than one person, in physical space.

The title, Boundary Functions, refers to Theodore Kaczynski’s 1967 University of Michigan PhD thesis. Better known as the Unabomber, Kaczynski is a pathological example of the conflict between the individual and society: engaging with an imperfect world versus an individual solitude uncompromised by the presence of others. The thesis itself is an example of the implicit antisocial quality of some scientific discourse, mired in language and symbols that are impenetrable to the vast majority of society. In this installation, a mathematical abstraction is made instantly knowable by dynamic visual representation. (Scott Snibbe)

https://www.snibbe.com/projects/interactive/boundaryfunctions/

Rain Room, 2012

Rain Room, Random International, 2012

http://random-international.com/work/rainroom/